Posts Tagged ‘lucila heinberg’

Feria de Libros in Lima

April 5, 2012

The same Feria de Libros that I blogged about last year came to Lima a couple of weeks ago as part of the ongoing Photography Biennial. The feria, which is run by Argentine artist Julieta Escardó, features small, independently published books, mostly from photographers in Argentina, although this edition included several books by Peruvian photographers.

Feria de Libros in Lima

Feria de Libros in Lima

The fair was held at the Centro de la Imagen. Unlike the version in Buenos Aires, here, none of the books were for sale. It was a bit like an Alexandrian library only, instead of copying scrolls of papayrus, I sat there with my digital camera snapping photos of pages from books that I liked.

Here’s a few:

Epitafios by Gladys Alavardo Jourde

Epitafios by Gladys Alavardo Jourde was my favorite book. It documents various decaying buildings from the 19th century and before in Lima’s historic core.

Epitafios by Gladys Alavardo Jourde

Epitafios by Gladys Alavardo Jourde

Epitafios by Gladys Alavardo Jourde

Epitafios by Gladys Alavardo Jourde

Epitafios by Gladys Alavardo Jourde

Something that I find interesting about both Lima and Buenos Aires is that each, with over a third of their respective countrys’ population, dominate all aspects industry, culture, politics and finance. It’s like each city is New York, Detroit, Los Angeles, and Washington all rolled into one. Depending on where you go  you can find elements that resonate with each. In the case of Lima, new development has shunned the historic core and a bounce-back wave of gentrification has yet to occur. In this situation, there’s a huge number of historic buildings which sit in a rather shabby state. Alvarado’s book does an execellent job of documenting both the beauty of these spaces, their inhabitants, and the tragedy of their decay. Also, the book dummy on view was really wonderfully printed. I hope it gets published.

Lucila Heinberg’s (Argentina) book Hacia recounts her journey in through China. Using expired film, the photos show a very personal, intimate view of her experiences in China.

Lucila Heinberg - Hacia

Lucila Heinberg - Hacia

Lucila Heinberg - Hacia

Lucila Heinberg - Hacia

Galeria Centrico has a small online gallery of this work. I also blogged about Heinberg’s series Dormidos last year.

David Mansell-Moullin’s book Lines in the Sand looks at peripheral settlements in Lima and how they sit on the landscape.

David Mansell-Moullin - Lines in the Sand

David Mansell-Moullin - Lines in the Sand

The subject matter is similar to Musuk Note’s Decierto series which I blogged about recently but is less abstract, more into the nuts and bolts of how these plots of land get developed by their inhabitants. Mansell-Moullin’s website has a nice slideshow of the work and he’s also got a blog detailing a lot of his work process.

Futuramic by Aldo Paparella (great name!) features lucious black and white photographs of retro-futuristic automobiles from the 1950s.

Aldo Paparella - Futuramic

Aldo Paparella - Futuramic

I got really excited to see that Martin Weber’s Ecos del Interior has been published by Ediciones Lariviere. I hope this makes it to the US so I can get a copy.

Martin Weber - Ecos del Interior

Italian photojournalist Myriam Meloni has a book, Fragil, documenting the social decay resulting from paco use in Buenos Aires (paco is their version of crack).

Myriam Meloni - Fragil

Myriam Meloni - Fragil

Myriam Meloni - Fragil

There sems to be a whole sub-genre of photographers documenting their grandparent’s homes. I suppose the combination of nostalgia + access is irrisistible. By my count, there were four books dealing with this theme at the book fair, the nicest of which was Bulnes by Luciana Betesh.

Luciana Betesh - Bulnes

Luciana Betesh - Bulnes

Luciana Betesh - Bulnes

There were a ton more books, of course. It’s a great fair and my only complaint is that it isn’t held more often and in more places.

Lucila Heinberg

June 22, 2011

One of my photography professors would show photos from Lucila Heinberg as part of his class. I forget how it entered my head but I started searching for her images the other evening. Heingerg has a website but it’s just a placeholder without any links to her work. It took a bit of Google archaeology to dig up some of her images.

Dormidos is a series published on the online magazine Big Sur [“Sur” as in South America, not “big sur” as in California]. I like the photos not so much for the concept [people just woken up?] as for being simple portraits, without pretense, of artsy porteños, with their beards, long hair and skinny faces.

© Lucila Heinberg from the series 'Dormidos'

© Lucila Heinberg from the series 'Dormidos'

© Lucila Heinberg, from the series 'Dormidos'

I also found a a maxed out flickr stream by Heinberg with some of her work of Love Motels in Buenos Aires. In the local parlance they’re known as ‘telos’ and like love motels the world over they are drenched in the aesthetic of glass, neon and mirrors. Heinberg’s approach is very simple; long exposures at night of the hotels’ exterios. I’ve always hated the orange glow of sodium street lamps but I have to admit, the color works for this series.

© Lucila Heinberg, from the series 'Telos'

© Lucila Heinberg, from the series 'Telos'

Judging by the aspect ratio of these photos, I’m guessing they were all taken with a 35mm film camera. The photos work perfectly fine that way. I ask myself [boy do I ask myself]; why complicate life with big cameras when you can get beautiful results just like this with simple equipment.