Posts Tagged ‘guillermo ueno’

Demolición. Three Argentine Photographers

November 14, 2012

Marcos López, Tía Delia, Santa Fé, 1992

There is a current show up in Buenos Aires called, Demolición. En pos de una fotografía ¿argentina? It features three Argentine photographers, Alberto Goldenstein, Marcos Lopez, and Ataulfo Perez Aznar and was the brainchild of Guillermo Ueno whose class I took a few years ago at the Centro Cultural Rojas.

I post about this show mostly because I came across a post on the blog, RƎV: Imagenes de Arte Contemporanea en Argentina which shows a very good selection of installation shots of the show. The blog is written by the indomintable Gabriela Schevach, artist, photographer and writer. I will definitely be adding it to my blog reader (does anyone use those anymore?).

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Espacio Formosa

September 14, 2010

Espacio Formosa is a small, store-front gallery in Villa Urquiza run by Guillermo Ueno and Lola Goldstein. About once a month they have gatherings featuring home-cooked food and music on the sidewalk. Here’s a few snapshots from an event this past Saturday:

The event was to celebrate the recent publication of several small photo books including Circulacion, which I wrote about yesterday. Pages from the various editions were cut out and pasted on the walls.

Ueno and Goldsteing run a blog called Tosto. I’d recommend adding it to your feed. They use it to announce events at the gallery and to feature photographs by students that attend their workshops.

6×6 Magic

August 26, 2010

I’ve noticed a trend with a lot of photography here in Argentina:

© Guillermo Ueno

© Nacho Coló

© Ignacio Iasparra

© Florencia Blanco

Verano Porteño by Eduardo Carrera

Bride by Gaby Messina from the series Lima, KM 100

Esquina by Norberto Salerno, photograph taken with Walzflex TLR with slide film expired in 2000

© Alina Schwarcz, from series Tigre

From Olaguer 3006 © Vivi Abelson

© Emma Livingston

© Alessandra Sanguinetti

© Soledad Manrique

© Guadalupe Miles

© María José D'amico

Let me be upfront and state that I’m not a fan of the square format. There is a preciousness and nostalgia about it that turns me off.

Why all the 6×6 photos in Argentina? Given the high cost of film and cameras here, using medium format seems to convey a level of seriousness that 35mm or digital don’t. Using the 6×6 format is an easy way of calling attention to one’s seriousness, be it with a Hasselblad or a Holga.

I like all of the photos and photographers that I’m posting here. I don’t mean to criticize their work or their choice of using the 6×6 format. There are legitimate artistic reasons for choosing to shoot square format. I should also state that in declaring my general dislike of the square I’m being completely hypocritical, having made any number of square photographs myself.

This trend isn’t limited to Argentina. There’s a group on flickr called 6×6 magic with almost 200,000 photos posted to it. There are enough film borders, soft corners, dreamy black & white landscapes, and desaturated colors to last a lifetime. Need I mention that there’s no “6×7 magic” group?