The last post on Bruno Dubner reminded me of work I saw by Colombian artist Milena Bonilla. I first discovered her work about a year ago when, upon arriving in Bogotá, I googled “contemporary columbian photography” and found her name on a list of people exhibited at a show in England a few years ago.
I liked this work called Transitory Map and she describes it thus on her site:
The project consists in to take randomly several buses in Bogotá city and to sew the holes that appeared on the damaged seats. (seats are made of foam and synthetic leather or fabric). The size of the hole defines the time used to travel along the city sewing the damaged seat. After finishing the tour, the path taken is transferred to a map, using as a convention the same thread color as the one used to sew the seat. During the whole project twenty five tours were made from which there are sixteen documented.
I’m really taken with the simple beauty of the photos; their color scheme and soft lighting. The gesture, too, is symbolic of healing and alludes to the country’s violent past (and present).