Terrorism is a gesture of advertising; it’s a literary act, a form of representation, before all else. Its aim is not primarily to kill, but to capture the popular imagination through killing. It’s for this reason that I’m drawn to the air disaster: there is no finer, more succinct, more international, and more culturally loaded expression of the catastrophe than a plane crash. An airliner in vertical descent is a spectacle of modernity’s complete failure. It is horrifying, but also aesthetically powerful—and it’s for these reasons that terrorists covet the air disaster. I feel that photographers, who work in close proximity to advertising, can enter the terrorist’s symbolic order and violate the same taboos.
Richard Mosse interviewed on BLDGBLOG about his project photographing plane crash sites.